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Personally I don't see this working for two reasons:
Firstly the
Idol format on network broadcast still gives the performers, judges et
al an implied superiority and 'backstage' cache whereas the internet
actually does the reverse. (Now we the audience are the judges as
opposed to just the suckers who waste millions in call charges phoning
in to vote. Similarly we're accustomed to everything on the internet
being free!)
Secondly these kind of shows have so devalued
celebrity that the reward of achieving it is being eroded away. When
the show fails inevitably to make any of the participants famous (or in
the unlikely event that it does but we all know that it is only for the
immediate duration of the show and aftermath and is in our wiser
viewing eyes an illusion with no material value) then how does it run
to a second series or even survive the first? The TV formats still
currently have the proven potential for success both in record sales
and subsequent careers because the shows are able to garner popular
attention and architect the marketing machinery accordingly.
These shows
still cost money to produce and I think Simon Fuller is suffering from
illusions if he thinks that this show will make ongoing sustainable
profits wholly via the internet imho. What I think is much more likely
is that Simon Cowell will use the springboard he now dominates to leak
some of the Idol/ X Factor asset online in a controlled way and massage
it to a successful formula online.
As I've said before.... all roads lead to Famebook! ;-)
Please let me know your thoughts and RT where poss!
Previously, a few scoops, exclusives, timely features and a smattering of sexy imagery could lure an audience who would perhaps forgive what is typically a majority chunk of otherwise irrelevant content and advertising, which collectively provided a sense of mass and value in your hand. Online audiences no longer care about all the accompanying bulk and are only interested in the top slice of relevant content and can now skim that selectively in a relative instant. Without that 'captured' set of eyeballs, an online version of the same thing can't hope to deliver any advertising value, at least not in the same way.
In my humble opinion there are only two ways out and that's to amalgamate print brands on a less is more basis to fewer titles and/ or create online tribes of loyal members by packaging the top content to relate to hardcore audiences and then serve that mix as a membership option. (Monthly mag + platinum site access + unlimited Kindle et al downloads and a big hug from the boss = $x per month/ annum)
Personally, the reason I'd walk past the rack at a departures lounge is that I've already packed my laptop with all the best of what I care about, so paying for some dead trees just makes me even more guilty for flying in the first place. Noone can fix that in a traditional way...and as for charging for content Rupert, it's like me submitting an invoice to Facebook for using my content to sell ads around...kinda pointless!